A DAY IN "THE LIFE OF RILEY"

Ant and I finally got to see the historic, groundbreaking revival of Tennessee Williams' Pulitzer Prize-winning play “Cat on a Hot Tin Roof” on Broadway (www.cat2008onbroadway.com/), which closes on June 22^nd after a most successful limited-engagement in which it has recouped its 2.1 million dollar investment and continues to bring a new audience. This, according to Producer Stephen Byrd who told us he’s happy that they are making history – cultural and economic – on this “great White way” but that he’s disappointed that The Tony’s (www.tonyawards.com/) didn’t acknowledge the revival where it could. Good for him that he’s looking ahead to his WHAT’S NEXT – which he offers may include Halle Berry and Terrence Howard in the first, all-Black Broadway revival of “A Streetcar Named Desire” – another Tennessee Williams’ classic (Ant saw a regional version in Denver). In this Debbie-Allen-directed production, the theme of MENDACITY (UNTRUTHFULNESS) shows up in the hypocrisy, greed and secret passions of the characters that make up this wealthy but dysfunctional Mississippi family. Brick – normally played by Terrence Howard – was inhabited by the understudy, my last-namesake Robert Christopher Riley (www.playbill.com/celebritybuzz/whoswho/biography/17611). In addition to being quite attractive, this stage actor did an awesome job and those we stumbled into seemed to agree – like Travis, one of Ant’s life coaches in the authenticity-inspiring work at MOMENTUM EDUCATION (www.momentumeducation.com). We will still aim to see Terrence before the show wraps. The character Brick pronounces to Big Daddy (played impressively by the legendary James Earl Jones) that “mendacity” (untruthfulness) is the system in which men live. That’s the way in which the two characters talk around their respective issues (Brick’s homosexual desires and Daddy’s imminent death). And instead of looking at the quacking duck, everyone else aims to see Brick be anything but that (Sounds familiar – even in 2008). So, Brick’s mother (the amazing, Tony-award-winning Phylicia Rashad) wants to see him become a family man (via his wife “Maggie the Cat” as portrayed sensually and provokingly by my friend Anika Noni Rose, who is always such a joy to see – on and off stage. In all her “Dreamgirls” splendor, she always remembers Ant and me after meeting her with our good girlfriend Ledisi back in December on Ant’s and my 2^nd anniversary. She’s very grounded and so sweet!). Brick’s brother, played by “Big Brother Almighty” (of “School Daze” fame) Giancarlo Esposito is clean and sober (as liquor goes) but corrupt enough to welcome Brick drinking his sorrows and repression away. His wife is played by the lovely and sweet – also on and off-screen - Lisa Arrindell Anderson, the uber-Southern belle who selfishly and obsessively keeps up all appearances at all costs for the greater gain of her husband, their kids, and herself. Though long in the tooth (two intermissions), Ant and I really enjoyed “Cat on a Hot Tin Roof”. We were happy to finally see it, though it was a long time coming. In the end, my good friend Lamar came through. He is responsible for hiring me to work on the video project for Remy Martin’s Limited Edition David LaChapelle bottle (www.remy.com/). My good girlfriend Marcia Pendelton manages the audience/marketing for many of the Broadway shows. She’s got deals for “Cat” that I want to share with you here:

For Group Discounts (15+)
Marcia Pendelton/Mydra Kelly
WTG Group Sales
646.467.7393
wtggroupsales@aol.com
For all other ticket purchases:
By Phone: 212.239.6200
Online: www.telecharge.com
In Person: Broadhurst Theater Box Office
235 W. 44th Street, NYC
Great seats available
Tuesdays, Wednesdays, Thursdays!
ORDER YOUR TICKETS TODAY!

Ant and I say it’s worth the trip. Plus, just a few days before I saw now-7-time-Tony-nominated “Passing Strange” – Ant’s and my other favorite (www.passingstrangeonbroadway.com), Miss Ross was in the house. And two days prior to our “Cat” moment, she saw the show with her kids Rhonda, Tracee, Evan; and her sister Barbara. For all that Diana is to me as a muse, it’s no wonder she and I are tastemakers in common – loving our theater (same shows). Pop culture coincidences aside, Ant and I again found so much of our own lives were reflected in this honest expression of art that came to life before our eyes in “Cat on a Hot Tin Roof” (www.cat2008onbroadway.com/).

Last night, Ant and I got a wonderful, 11^th-hour invitation from my friend Charles Wallace who is Associate Artistic Director of the New Professional Theatre(www.newprofessionaltheatre.org/)/2008 Annual Writers Festival Producer. It was the New Professional Theatre’s annual gala 2008. My Spelman sister (a few years removed) Sheila Kay Davis is at the helm of the organization. My friend and Georgia homeboy/2-time Tony-award nominee Ken Roberson invited me to this event a few years ago as he was honored by this company, which empowers, advances, and sustains the work of minority theatre artists; develops new, diverse audiences through extensive education programs; promotes the work of minority artists to both mainstream and minority audiences; and cultivates partnerships with like-minded institutions from around the globe dedicated to developing and promoting minority work. Last night, Ant and I weren’t far from “Cat on a Hot Tin Roof” as our girl Anika Noni Rose was being honored with “The Shining Star Award”. My friend Ken Roberson, who also choreographed a wonderful trio of dancers who set the fun tone of the night, presented to Anika. The musical tribute was performed beautifully by my Broadway buddy Norm Lewis, who is currently starring in “The Little Mermaid”

(www.disney.go.com/theatre/thelittlemermaid/). He’s always great to be around as proven some months ago when he invited me backstage to hangout during his final weeks on “Les Miserables” (www.lesmis.com/). Also, Anika's “Cat” co-star (and – in the play – nemesis) Lisa Arrindell Anderson came to support. She brought her very handsome brother. Additionally, the legendary two-time Tony nominee Ms. Vivian Reed was there to sing to “The Trailblazer Award” recipient Mr. Reginald Van Lee (Senior Vice President , Booz Allen Hamilton - www.boozallen.com/). Reginald is ever the socialite and is known for his famously entertaining parties (Ant and I have attended a couple of them on the terrace of his east side penthouse apartment with one of the most prized views New York City has to offer). But he too is also very nice, humble, and so much fun! The evening also gave me the chance to reconnect to some good friends and associates, including caterer Norma Jean of “Spoonbread” fame (www.spoonbreadinc.com/); Marva Hicks; Ty Stephens; Randall; Chris; David Hinson (financial advisor); etc. I also got the chance to meet the man who plays “Tiny” Joe Dixon in “Dreamgirls” – the movie (www.dreamgirlsmovie.com/) Michael-Leon Wooley, who reunited with Anika for the first time since they shot the film. It was a GREAT time for all! CONGRATS REGINALD and ANIKA! And THANK YOU, CHARLES! Ant and I truly enjoyed ourselves!

Afterwards, Ant and I went to neighboring BBQ on 42^nd Street (www.bbqnyc.com) for a post-dinner snack and chat with our girl Marcia who – by the way – still has deals around “Passing Strange” (www.passingstrangeonbroadway.com). She is offering a 40%-OFF Regular Ticket Prices to FRIENDS OF PATRICK AND ANT . See the details with special CODE:

All performances except Fri & Sat eves & Wed Mat
Orch/$59.50; Mezz/$48; Balc/$21.50
Fri & Sat Eves
Orch/$68.50; Mezz/$58; Balc/$30
Wed Mat
Orch & Mezz/$48; Balc/$21.50

There Are Three Easy Ways To Purchase Tickets
Online: www.broadwayoffers.com and type in code PSWALK7

Phone: 212.947.8844 and mention code PSWALK7
In Person: Present this email at the Belasco Theater Box Office,
111 West 44th Street, NYC

And Marcia is also working on “SINGLE BLACK FEMALE”, which New Professional Theatre is presenting. The limited Off-Broadway return engagement by Lisa B. Thompson is a comedy about single black women and their search for love, dignity and clothes, directed by Colman Domingo, who's currently on Broadway in – of course - PASSING STRANGE. Previews begin June 10 prior to an official press opening of June 12 at The Duke on 42nd Street (229 West 42nd Street) in Manhattan.

New Professional Theatre
presents

SINGLE BLACK FEMALE
A play by
Lisa B. Thompson

Starring
Soara-Joye Ross
Riddick Marie

JUNE 10-29, 2008
THE DUKE ON 42ND STREET,
A NEW 42ND STREET PROJECT
229 West 42nd Street
(Between Broadway & 8th Avenue)
Group Tickets (10+)
$30 per person
Contact WTG Group Sales
646.467.7393
wtggroupsales@aol.com

Performances Tuesday-Saturday at 8pm;
Saturday & Sunday at 2pm

For Single Tickets
Call: 646.223.3010
Online: www.dukeon42.org

After our BBQ moment, we got the chance to hang out at No Parking in Washington Heights ( www.noparkingbar.blogspot.com/ ) - owned by my friend Brian, who always makes sure I don't wait in line and that I am taken care of once I get inside. There, we ran into Chris, Randall, and Ken Roberson again. But we were also pleasantly surprised to see my friend Carl Nelson (of “Drums Along The Hudson” fame - http://thelifeofriley.squarespace.com/rilys-blog/2008/5/11/the-third-eye-is-the-nexus-of-diverse-energy.html). You’ll recall, I hosted a portion of that event for Carl. He had just come back into town from Spain, but alerted me that the feedback was off the charts for how folks enjoyed my hosting duties. That was nice to hear. Carl was with our friend Raymond, who too is a Morehouse brother. Always good to see him and his great teeth (He’s a dentist! SMILE!).

Thinking about “PASSING STRANGE” and “CAT ON A HOT TIN ROOF” and the culture of theater overall, MENDACITY ties in quite symbiotically to my agenda this week. Truth told, right on the streets of New York City, the issue of ‘mendacity’ is being addressed everyday. There was a host of Sean Bell demonstrators, for example, as Ant and I went to the theater that evening. You’ll recall the Sean Bell shooting incident that took place in Queens on November 25, 2006. Three unarmed, African American men were shot at 50 times by plainclothes NYPD officers, killing one of the men, Sean Bell, on the morning of his wedding day, and severely wounding two of his friends. The incident sparked fierce criticism of the police from the public and drew comparisons to the 1999 killing of Amadou Diallo.Three of the five detectives involved in the shooting went to trial on charges ranging from manslaughter to reckless endangerment, but were found not guilty. We even saw Ant’s barber Dave (Diamond Cut Salon and Barber Shop). Go Dave!

My friend Leo Preziosi and his colleague Aartie at one of my longstanding charities Live Out Loud (www.liveoutloud.info) asked me to speak at The Bushwick School for Social Justice’s LGBT PRIDE WEEK (www.bssj.net/). LIVE OUT LOUD is a nonprofit organization that connects Lesbian, Gay, Bisexual, Transgender and Questioning youth to out role models and leaders who provide positive examples of LGBT adults. I was there inside of a career-day posture. “What do you do? How did you get to do what you do? What are your secrets of success?” I’ve done it a million times and love to share my testimonial with young folks. They generally seem to respond and appreciate it. This day of speaking to these Brooklyn students was no different. They were engaged, despite the ‘rainy day & Monday’. But the more profound context about this visit is that I was used as a part of Live Out Loud’s repository of LGBT role models of color to be able to go deeper, if called for, and share information and experience about which pathway helped me to live an enriched and productive life. Well, Ant went with me and filled in my blanks a bit as some of the students’ questions left me speechless (just for a moment) as they were down to ask all the uncomfortable questions: “What did your mother say when you came out?”; “Did you keep your straight male friends after you came out?”; “Have you ever been discriminated against because you’re gay?”; “Is it double-hard for you in life – since you’re black and gay?”; "How much did that jacket cost?" (which freed me to share my less-controversial gay gene for fashion and how - like me - they could one day purchase their own couture directly from the designer's showroom, but until then - like me other times - they could right now get in on 'the sample sale'); Oh! And did I forget: "How much money do you make?" Well, I told them (loosely) as I figured honesty on that front is testimonial that you can be LGTBQ, African American (or of color), and successful. This, though on my journey, I continue to maintain it all as responsibly and flossily as possible. Baby, these kids were on it! And once I caught up with the reality that they were ready to hear these answers, I clearly gave the goods. Often, kids will tell me that I’m their hero for what I do, who I am, and how they feel it looks on me. But for moments like these, I always reply to them that they are my heroes for getting it early on. Whether gay or straight, these teens got it and were open and tolerant and compassionate and endearing. I’m thrilled to have been a part. (And I’m scheduled to speak at a Bronx high school next week for a Career Day).

So much of what makes me stand so confidently in my skin (even though I was not OUT in college) is MOREHOUSE College(www.morehouse.edu) and you need look no further than this blog to know how much that experience means to me: http://thelifeofriley.squarespace.com/rilys-blog/2007/5/22/walking-in-strange-and-new-places.html and http://thelifeofriley.squarespace.com/rilys-blog/2006/12/11/this-house-is-built-on-a-foundation-of-love.html and http://thelifeofriley.squarespace.com/rilys-blog/2007/5/30/on-the-pulse-of-the-morning-and-beyond.html and http://thelifeofriley.squarespace.com/rilys-blog/2008/1/2/dear-god-im-here-im-here.html.

Well, Morehouse (www.morehouse.edu) – known for producing “Renaissance Men” (like me) – is in the news for something historical and landmark. And the story got its first rung of attention by way of one of my National Association of Black Journalists’ protégées (NABJ babies, we call them) Errin Haines, Associated Press writer and NABJ Emerging Journalist of the Year 2006 (www.ap.org). She and I attended our good friend Deepthi’s wedding last September. Anyway! The story? Morehouse College ’s 2008 class valedictorian is Josh Packwood, of Kansas City , Mo. He stands out not only because of his grade point average (4.0), but he is the first White Valedictorian to graduate from the historically black college. The force behind the publicity machine is my other dear friend Elise Durham who is Media Relations Manager at my alma mater. She and I worked together years ago at Fox 5 in Atlanta (“Good Day Atlanta”). She made it possible for me to meet Josh and to greet again Dr. Robert Michael Franklin (I first met him in Las Vegas back in August – a reception Elise put together last year). They were scheduled to discuss this story on CBS’ “The Early Show” (www.cbs.com/earlyshow). I met with them in the greenroom where – as tends to happen – I stumbled across old friends Kitt and Debbie, who are producers there. Always good to see or talk to folks I like a lot that I haven’t seen in a long time. Dr. Franklin, Josh, and I got the chance to talk about this awesome legacy that must be acknowledged as what Morehouse’s most famous alum Dr. King had in mind. Fortunately, Harry Smith (who I love) did the interview (http://www.cbsnews.com/stories/2008/05/15/national/main4098548.shtml). Afterwards, we got the chance to talk to him further as he seemed to really be invested and intrigued at the story. Some cynics feel this somehow compromises Morehouse’s infrastructure as a historically BLACK college, but I don’t agree. White students have been going to Morehouse for decades. That’s not the issue. This particular moment highlights for the world that anyone, white or black, can receive a quality education at an HBCU and come out on top – in the world. So the options for all should be HARVARD? Or MOREHOUSE? And not just because of the skin they are in. Moreover, it was great to catch up with my Elise who just celebrated her big 4-0 and I didn’t get the chance to celebrate down in Atlanta with her (Her friends threw a surprise birthday party). With that, I brought her gift with me – a candle from Jo Malone (www.jomalone.com/). I LOVE JO MALONE! This, because Elise truly is a light to my life and apparently “a candle in the dark” to Morehouse as I observed her so ably and masterfully pull the media and press opportunities together for my alma mater.

I got the chance to reunite with many of my Morehouse brothers and my Spelman sister Adrianne C. Smith as she threw a wonderful 40 fete for her beau Eddie, a filmmaker and conscious social and civil activist/advocate. In her beautiful brownstone, we ate great food as prepared by my Morehouse brother (and Ant’s and my cupid) Mario. Michael K. Watts, Jeh, and a handful of our other Morehouse buddies attended. I even got to reconnect with a couple of classmates I hadn’t seen in a while – Nassir and Ed Blunt (www.edblunt.com) who is a life design specialist. He attended with another old friend I hadn’t seen in a minute (who I met through another Morehouse brother Terrance Johnson) Stacey L. Holman, who is Creative Director of Black Butterfly Productions (www.blackbutterflyproudctions.net). See her website. She’s working on some great projects. Thanks Adrianne for being such a great host and a good friend. STAY ENCOURAGED! And HAPPY BIRTHDAY, EDDIE!

Speaking of MOREHOUSE, my SPELMAN sister (www.spelman.edu) Tanika Ray (www.extratv.warnerbros.com/) who I wrote about a couple of weeks ago, but is also EXTRA-TV’s most-spirited host/correspondent, has agreed to be interviewed for “Big Sister, Little Sister” – the independent documentary I’m working on with Latina filmmaker Sue May ( www.bslsthedoc.com - in progress; www.myspace.com/bslsthedoc). You’ll recall, I’m booking a half dozen or so high profile women of color (that I too will support Sue in interviewing). They are sharing their experiences at their high school prom, graduation, and first post-high-school memories (likely college). Already, "America's Next Top Model" Cycle 4 Naima has committed to be the NARRATOR of "Big Sister, Little Sister" (and will additionally be interviewed for the companion PSA “The Girl Next Door”). Also, CNN's Soledad O'Brien and international journalist Lisa Ling are on board as we work out scheduling with those two ladies. A few more bookings (from a tall wish list of great names) and we’ll be ready to shoot. Feel free to reach out to me (patarack@hotmail.com), if you or your client might want more information to be considered for our cameos or if you’d like to make a tax-deductible donation to this project which has many funding opportunities.

By the way, have you seen Alicia Keys’ "School Daze"-inspired video?:

http://www.youtube.com/watch?v=DSaSDYYwZNM

See what she’s spoofing: http://www.youtube.com/watch?v=biu555Djtm4

Alicia Keys’song “If I Ain’t Got You” (http://www.youtube.com/watch?v=T1sLrRlCobY) got spotlight on “American Idol” ( www.americanidol.com/ ) last week with Syesha’s judge’s choice a la Randy Jackson (http://www.youtube.com/watch?v=8He0ScuRAiE). She did a brilliant job – a point I laid out on my friend and popular radio personality Shelley Wade’s Z100 Idol Diva Chat, which I’ve been doing this season. To hear, click on: http://z100.com/cc-common/common-nyc/podcast/single_page.html?podcast=americanidol6chats or
http://zzone.z100.com/shelley/blog/2008/04/30/idol_diva_chat or http://zzone.z100.com/shelley/blog/2008/05/14/jason_castro__idol_chat

Former American Idol contestant and current FUSE host (www.fuse.tv/) Jarred Cotter was in the mix for this roundtable and we got along splendidly. You may recall, I wrote about him from a modeling gig he did with my favorite designer “American Chang” (www.americanchang.com/) and ( www.rscottfrench.com/ ): http://thelifeofriley.squarespace.com/rilys-blog/2008/2/5/a-few-good-men.html. Plus, he’s also still recording – even got a duet working in the U-K. For all info about Jarred, check out his myspace: http://www.myspace.com/jlcotter. He is a multi-hyphenate like me and we plan to stay in touch as symbiosis is inevitable. And by the time I write my next entry, we will know who of the two DAVIDs is the American Idol. I'll comment at that time...  

Keeping the MENDACITY theme going, I could still be some of what my friend and fellow journalist Terrance Dean chronicles in his riveting memoir Hiding In Hip Hop: On The Down Low In The Entertainment Industry – From Music To Hollywood. It uncovers a hidden and well-known, unspoken secret to which I relate as I struggled with my own sexuality in my early ‘20s. The thought is there’s no platform to be ‘out and proud’ and – from that – come self-hating and self-deprecating choices that keep us stimulated by a fleeting feeling and experience. The thought is it wouldn’t be practical to choose this publicly because society isnt’ ready and our friends, families, and lovers won’t understand. With that, an open and telling-it-all Terrance Dean writes this book and we proudly celebrated with him last week at SPLASH ( www.splashbar.com ). CONGRATS TERRANCE! Order your copy today: http://www.amazon.com/Hiding-Hip-Hop-Entertainment-Industry . He too is featured in NEWSWEEK:
http://www.newsweek.com/id/137380 And you can go to his blog:
www.terrancedean.blogspot.com And he will be celebrating further this week at my favorite boutique N (www.nharlemnewyork.com).

One of my favorite Harlem buddies Terry Wynn (known as “The Texas Socialite” - http://texastigerofnewyork.blogspot.com) surely kept us busy this past weekend. Before we got into festivity one, I got some more, long-overdue, one-on-one time with my Amazing Grace Nichole at Cafeteria (www.cafeteria247.com). Afterwards, she dropped me off in her new convertible to meet up with Ant. He and I were scheduled to hang out at one of Terry’s big birthday parties. Ant hand-selected our gift, which Terry was excited to sport immediately. It was a Fusingcolors glass jewelry creation (www.fusingcolors.com) The first took place at Frank White NYC (http://www.frankwhitenyc.com). Named for Biggie Smalls, partners and owners William Collick and Muhammida El Muhajir opened this eclectic and vintage-looking space as a canvas for bringing folks together for coffee, drinks, socializing, culture, debate, etc. (http://www.myspace.com/frankwhitenyc). With that, Terry decided to throw a classic French salon with a contemporary twist. Donning a top hat, he booked Carmen "The Black Betty" for a Burlesque number (http://www.youtube.com/Barika3000). Then, Opera singer Adero DeHoniesto performed a gorgeous “Summertime”. "The Pastry Chef" – Eric is his name – provided great treats. And Curtis Jackson was "The Drummer" (http://www.curtiswatts.com), whose pounding, percussive accompaniment on Rebbie Jackson's "Centipede" and Diana Ross' "The Boss" made those dance classics groove like never before. We met so many wonderful people that night, I can’t even remember how to place all their names here. But in traditional Terry fashion, he gathered a room full of great energy for the night. A couple of standouts: multi-media personality/performer Reginald L. Barnes (www.reginaldlbarnes.com or www.myspace.com/reggieonthemove) was in the house. And he has a show of comedy and entertainment planned for certain Wednesdays throughout the summer at Solomon’s Porch in Brooklyn (www.myspace.com/solomonsporchcafe). Also, Robin Laverne Wilson presented herself as such an exemplar of joy and possibilities. She was hanging out on the eve of her graduation from Rutgers (www.rutgers.edu/). She’s poised to be a filmmaker and an all-around renaissance woman (www.NewGrowthMediaInc.com). At this party, she had one look. At Terry’s next party, she had another look (wig in tow). Both gorgeous. At the 2^nd set – held in Harlem – Morehouse brother and friend Mario, Melvin, and many of our other buddies were in the house. HAPPY BIRTHDAY, TERRY! MUCH LOVE!

Ant and I attended that prior set after attending the civil union of one of Anthony’s MOMENTUM buddies (www.momentumeducation.com) Carlos and his partner David. It was Ant’s and my first ‘gay wedding’. They got married about two hours outside of the city in beautiful Woodbourne , New York . Everything was elegantly appointed – from the ceremony to the decorations inside the tent to the vows. They put a poem from Walt Whitman on the program: “we two boys together clinging, one on the other never leaning, up and down the roads going, north and south excursions making. power enjoying, elbows stretching, fingers clutching armed and fearless, eating, drinking, sleeping, loving. No law less than ourselves owning, sailing, soldiering, thieving, threatening. misers, menials, priests alarming, air breathing, water drinking, on the turf or the sea-beach dancing. Cities wrenching, ease scorning, statues mocking, feebleness chasing, fulfilling our foray.” Most profound to Ant and me was hearing Carlos and David’s fathers give the toast. It was something Ant nor I had ever experienced before. POWERFUL! It also turns out that Ted - another of Ant’s buddies from MOMENTUM (who attended with Anya – also from Ant’s leadership team) – used to work for Diana’s youngest boys’ father Arne Naess in Norway. As we were basking in the love of Carlos and David, this straight man knew the tidbit to share with this gay couple. Of course, I had lots of questions for him – answering some of the questions more quickly than he could remember them as my obsession with Diana moves much more quickly than his middle-age memory of having worked with this man for a couple of years back in the mid-‘80s. But it made for great dinner conversation and he spoke endearingly and lovingly of Ross and Naess from his outside-looking-in-but-closer-than-any-of-us perspective. THANKS TED!

Ant and I also got the chance to return to some of our physical commitments this week. He’s inside of a multitude of regimens towards optimum health. If I’m not ripping and running professionally or socially, I’m rarely going to the gym or some type of physical fitness class, except for when we’re able to reconnect to our Tweetie and her hip hop dance class at Alvin Ailey. It’s always a blast as – this time – she played all of Madonna’s new album for warm-up and our routine (www.madonna.com/). Of course, we were hoping for a little Janet to inspire the energy and excitement around Miss Jackson’s upcoming tour (scheduled to launch September 10^th - www.janetjackson.com/). Tweetie has been really busy doing what she does… and well. She’s been traveling a lot. In February, she was in Poland for about 2 weeks on a choreography assignment. And she just got back from Beijing , China (in the nick of time with that 7.8 earthquake that recently hit there). She was there for the Asian Fitness Education Expo (AFEEX – www.afeex.org/) where she taught five classes. She also is about to work with Artistic Director Sevin Akbar aka Summerhill of “Platanos and Collard Greens” fame (www.platanosandcollardgreens.com/) on his next Off Broadway Theater show “Auction Book”. She too is getting into artist development. Her current project is working with four men who take hip hop dance class with Ant and me. They are THA HEIGHTS (a pop/R&B quartet of Dominican dudes). They sing Motown, latin, new, and classic music. And they recently got an offer for their own reality series. So, in Tweetie’s words, “it’s about to be on and poppin’”. CONGRATS TWEETIE! We will see you soon!

Fit in her own right, my friend Bethany (also knows as ‘Peanut’) referred a friend of hers to me. Basheerah has been chosen to grace the cover of “Max Sports and Fitness Magazine”. This cover will be historical because it will be the first time an African American fitness couple has been featured on this magazine’s cover. She’s also in the process of negotiating a Fitness reality show that focuses on health and the black church.

But Bethany ’s fierceness should not go unrecognized. She is a noted choreographer and dancer – seen in “yellow” in Beyonce’s “Freak ‘em dress” video (http://www.youtube.com/watch?v=QLkmmCjnc-8). Well, she is working on Broadway’s return of “For Colored Girls Who Have Considered Suicide When The Rainbow is Enuf”. Singer-songwriter India.Arie has been tapped to star and contribute songs to this once-choreo-poem (now play with music). The aforementioned Marcia Pendelton is too going to be a part of the audience/marketing effort on this highly-anticipated production with Whoopi Goldberg at the helm of producers along with DreamTeam Entertainment. The Ntozake Shange play presents the interwoven stories of seven women of color from the African Diaspora. The original play opened its two-year run on Broadway in the summer of 1976, earning a Best Play Tony nomination and winning the Best Featured Actress in a Play Tony for Trazana Beverley. So far, Arie is the only cast member set for the revival, which has scheduled a mid-July preview and early-August opening. A theater has yet to be named. Shirley Jo Finney will direct, and Tony winner Hinton Battle will handle choreography.

Speaking of India.Arie, I’m weeks away from my 20-year-high-school reunion from Windsor Forest High School (http://thelifeofriley.squarespace.com/rilys-blog/2008/4/7/if-a-robin-can-say-thank-you-you-can-do-it-too.html). And I wanted to shout out another WFHS alum – one year my junior: Anthony David, a name you may all know as he’s played and collaborated with India.Arie for years (as this Electronic Urban Report tells: http://www.eurweb.com/story/eur43404.cfm). To find out more about Anthony David, hit up his MySpace page at www.myspace.com/anthonydavid or go to www.anthonydavidmusic.com. We were in “Pippin’” together and a number of other stage productions at Windsor Forest . So glad to know he’s doing so well.

Speaking of my fellow alums, remember my friend Reggie? I wrote about him here: http://thelifeofriley.squarespace.com/rilys-blog/2006/11/3/options-image-of-the-future.html Well, he saw Ant’s picture with Captain Planet last week (http://thelifeofriley.squarespace.com/rilys-blog/2008/5/11/the-third-eye-is-the-nexus-of-diverse-energy.html). It turns out during his matriculation at MIT (www.web.mit.edu/), he was a part of the team that helped develop this character. LOVE IT! Good stock comes out of Savannah, I tell 'ya...

I mentioned Miki Howard in a prior post (http://thelifeofriley.squarespace.com/rilys-blog/2008/5/2/just-like-little-children-know-how-they-have-fun.html). Well, Miki's new CD “Private Collection” is coming out. Her reps at Araca Entertainment reached out to me to see what synergy we might stir up to support her comeback. CONGRATS MIKI! I love the tracks your folks have shared with me!

On Sunday, Ant and I got the chance to show his friend Aria around town. She was visiting from Denver . We went to N (www.nharlemnewyork.com) and saw our folks – Natasha, Jamar, and Gail, who too is an artist ( at Fuse Gallery (www.fusegallerynyc.com). I wrote about her last week: http://thelifeofriley.squarespace.com/rilys-blog/2008/5/2/just-like-little-children-know-how-they-have-fun.html. Then, we took Aria to Amy Ruth for soul food (www.amyruthsharlem.com/). Well, after we enjoyed our day with her, we went to Brooklyn to see Ant’s best friend Manivone at her new lounge/restaurant spot in Williamsburg (Brooklyn). It’s called “Velvet Lounge” (www.velvetbrooklyn.com/). We enjoyed it a lot. It’s got a very warm and soothing interior with smooth music playing as folks come in to enjoy one of Manivone’s cocktails and some nice bites of spinach and artichoke dip; hummus; etc. Then, we hooked up with Gail about whom I wrote last week: http://thelifeofriley.squarespace.com/rilys-blog/2008/5/2/just-like-little-children-know-how-they-have-fun.html. She had us meet her at Art Land (also in Williamsburg ) – a dive bar full of character and charm (www.11211.info/artland.htm). It’s where Gail guest DJs from time to time. She wanted us to come in and hear her friend DJ Starchilde. Gail, too, is making it possible for Ant to try his magic behind the turntables very soon. Stay tuned. I have an “in” with the DJ. SMILE! And we'll dance all night long (or as long as his slot allows). He's already promised to mix in some Diana. Just a little... and it will "melange" just so...

Many of you are calling me as you watch CBS promos for “Million Dollar Password” with Regis Philbin (www.cbs.com/primetime/million_dollar_password/). You are seeing me and excited to know when, where, what, and how much. SMILE! Well, I am totally gagged to say what happened and you’ll have to wait and see. Though the commercial says June 1^st is the premiere, I don’t know exactly when I will be on. But stay tuned. And though I can’t tell anything now, I can share some things after it airs. Meanwhile, I want to shout out a friend from that ‘bubble’ Erin Wilk, who is doing public relations for several New York City spas and restaurants/sake bars in town. Check out her clients: www.erinwilk.com and www.spasally.com (it's an early launch version- still a few bugs!). GOOD TO HEAR FROM YOU, ERIN!

And as always, THANKS TO EACH AND EVERYONE OF YOU for keeping up with “… THE LIFE OF RILEY…” (http://thelifeofriley.squarespace.com/rilys-blog/).

So I made a deal with myself. “Self?” I say. “You are not going to be mournful and sad this Mother’s Day”. You guys know my drill (and I’ve written about it before): Though I work hard to choose joy and call it forth at any cost in my life, my natural leaning (which requires monitoring, maintenance, and muscle to combat it) can be to go into a victim song about losing my mom at 23 years old and how sad and lonely that leaves me feeling on any given day. Then, believe it or not, I will (and can) go into a dark hole and stay there until I CHOOSE to walk back into the light. Last year was really rough as I found myself on assignment in Chicago (- http://thelifeofriley.squarespace.com/rilys-blog/2007/5/12/sometimes-i-feel-like-a-motherless-child.html) and I couldn’t escape queries from people asking what I was doing for my mother, which begged the reality that she was dead. That, fortunately, has not happened this year. Now, I’m clear, as abundance goes, I could be doing more for the “mothers” in my life. My nephew has a mom. My sister is a step mom. My dad has a wife. My dad’s oldest sister lives in Brooklyn . My mother’s sister Mary Lee is a steady, maternal presence in my life (http://thelifeofriley.squarespace.com/rilys-blog/2006/12/29/auntie-mary-lee.html). But in my mind that can be paralyzed on wanting to be sad, I sometimes find myself helpless to extend love to any other mothers out there (and I do love them all). Already, my dear friend Sharvo (referenced in the blog entry from last year) [http://thelifeofriley.squarespace.com/rilys-blog/2007/5/12/sometimes-i-feel-like-a-motherless-child.html] has sent me a thoughtful and loving text that reads: “Good morning, my darling Patrick! You were on my mind and my heart this morning and I wanted to take the time to send you an embrace of love. I know how heavy your heart can be on this day, but know that a Mother’s love embraces you always in spirit and if you ever need arms to feel, mine are always open. I love you!” So sweet and appreciated. It conjured a sweet memory of my mother that I just recently experienced as Ant and I were watching the latest episode of “Ugly Betty” (www.abc.go.com/primetime/uglybetty/index) on TIVO. In a plot that had little to do with my (or anybody’s real life), “Ugly Betty” producers chose the Ashford & Simpson composition “Didn’t You Know (You’d Have To Cry Sometime)” to close out its recent episode. The version was by Gladys Knight & The Pips (http://www.youtube.com/watch?v=iwivWKsL65c) from 1969. My Diana Ross re-recorded it for her 1971 album “Surrender” (which is being re-mastered and expanded via Hip-o-Select –

www.hip-oselect.com/ - responsible for releasing many of Miss Ross’ early releases, like “Everything is Everything”, her 1970 sophomore project which just came out earlier this season). That said, I used to play the album (HEAR ME: big, round, black disc on a record player! SMILE!) and as I blasted all my Diana at the highest volumes from my childhood room, my mother would sometimes say “Turn that down!” But on one special day (and many that I repeated because I loved the feedback), my mother could hear the melody of “Didn’t You Know (You’d Have to Cry Sometimes)” piping hauntingly throughout the house. She came to the threshold of my door and said “Play that again! Diana is going gospel on that one! I like it!” Other than a few select Diana numbers (“Amazing Grace” from her 1992 “Christmas in Vienna” concert - http://www.youtube.com/watch?v=ldAxy5nLkq8 and “Anywhere You Run To” from her 1982 “Silk Electric” project), mom was not the biggest Diana fan (though she appreciated her talent and her mothering skills). As I was watching “Ugly Betty” and listening to this beautiful song with Gladys Knight’s vocals on them, I was transported:

Remember when you left?
You had your own rules about playing the game
And any day, you could walk away feeling no pain
Now look at yourself
You're all hung up on somebody else
And in your eyes I see all the signs of the misery
That you laid on me
Baby, baby
Didn't you know you'd have to cry sometime?
Didn't you know
Didn't you know you'd have to hurt sometime?
Didn't you know that you'd lose your pride?
Didn't anybody tell you love had another side?
You used to be so proud
Now, your head's a little lower
And you walk slower
And you don't talk so loud
You've gotten wise
You know how love can build you up one moment
And the next, cut you down to size
Then you discover
All she told you was a bunch of lies
Baby, baby
Didn't you know you'd have to cry sometime?
Didn't you know
Didn't you know you'd have to hurt sometime?
Didn't you know that you'd lose your pride?
Didn't anybody tell you love had another side?
Baby, baby
Didn't you know you'd have to cry sometime?
Didn't you know
Didn't you know you'd have to hurt sometime?
Didn't you know you'd have to cry sometime?
Didn't you know you'd have to hurt sometime?
Didn't you know you'd have to hurt sometime?
Didn't you know you'd have to hurt sometime?

I know now I’d have to cry sometime and that it would hurt. And I do… from time to time. But this memory makes me smile! Today, I’m smiling…

… And I’m smiling not just inside of those long-ago memories, but also inside of recent memories that are also attributable to Diana Ross and Gladys Knight (and perhaps my mom who I’m sure is looking down with excitement… for me). I attended not one but two amazing shows at Radio City Music Hall (www.radiocity.com/) featuring not only Ross and Knight, but Patti Labelle and Chaka Khan (www.divaswithheart.com/). The sold-out charity event started out as one show, but turned into two after the first sold out so quickly.

Patti Labelle’s publicist Aliya from Patti Webster’s agency W&W Public Relations Inc. graciously provided one of my tix. Thanks to her for being such a diva with heart. Ant, my buddy/freelance entertainment writer/concert/CD reviewer Michael K. Watts, and I attended the first show (technically the 2^nd booked show), a matinee. Before we could walk in, we ran into Omarosa (www.omarosa.com/). As she managed a cell phone call, trying to figure out where to pick up her tickets, and her compact, she still found a moment to show me photo love. On this day (and that’s all I can comment on), I experienced her as a diva with heart. I’ve told you about Michael K. Watts’ e-newsletter “LIVE! FROM FRONT ROW” in which he does concert reviews (I’ve even shared them here: http://thelifeofriley.squarespace.com/rilys-blog/2007/8/5/funky-divas-dusted-dusty-and-dusted-off.html and http://thelifeofriley.squarespace.com/rilys-blog/2008/2/12/luv.html. Well, he’s given me permission to share it with you here.

But before I do that, I will share some of my thoughts – lifted from an email reply to my friend and fellow Diana fan Dustin (who attended the matinee show as well. I went to the later show as well):

YES! I AM THRILLED WITH DIANA! SHE WAS WONDERFUL! And though a more R&B audience, NYC seemed to LOVE her!!!!!!!!!!!!!

("I'M COMING OUT" EXCERPT: http://www.youtube.com/watch?v=JworY5R_HMY)

The first show was the best all around!

But DIANA was consistently good the 2nd go around. She still looked great. Her voice was strong (though perhaps a hair less so than first show. You know our perfect "fan" ears! But still, AWESOME VOCALS!). She changed into the champagne/gold/silver robe she's been wearing (instead of that black/blue number she changed into for Show #1). She didn't do "Why Do Fools Fall in Love?" (instead changing on "Ain't No Mountain High Enough" after she brought Ashford & Simpson onto the stage). She too didn't do "I Love You" as she rushed off after an extended "I Will Survive" on which she asked that the house-lights be brought up so she could see everyone's faces. (After that, the ladies did a rehearsal-less (clearly) finale of "Lean on Me". Diana didn't participate. Not sure why. I can't see her agreeing to do it anyway. But I don't know what's true or not on that front.).

GLADYS was awesome again, but she's got her cabaret-style/short-show down to a science, given her Las Vegas/Flamingo gig over the last few years. She did wear a different dress (white sequins).

CHAKA - in same ensemble – for 2^nd show. I'm sure you'll agree how good she was for 2:30 . She was much more loopy and scatter-brained during her banter in the 7:30 show. Plus, the vocals weren't as pristine. At one point, she referenced "the purple people" (a la her energy drink with antioxidants with which she mixes 'vodka' - her words). It turns out that was - among others - Tracee and Chudney's dad Bob Ellis (Silberstein) who you know once managed Chaka during the Rufus days. He clearly was on double duty - in support of Diana and Chaka.

PATTI did same show, but in different outfit (beige). But she talked much more and played much more - even at one point - asking not to be rushed by her musicians who were trying to keep it flowing - so they could get to MISS ROSS. (PATTI's BONUS FINALE: http://youtube.com/watch?v=RD-fVdsF6YU)

I saw Rhonda and Ross there to support DIANA.

ALWAYS GREAT TO SEE YOU!

friend to friend,

Patrick

And here’s Michael K. Watts’ take:

LIVE! from Front Row

May 8, 2008

The LIVE! Review:

Divas Take Over New York

Diana Dazzles, Chaka Hollers, Gladys Gives Her All, and Patti Turns It Out at Radio City

By Michael K. Watts

Four R&B music divas, two shows, one day, one stage. Diana Ross, Patti LaBelle, Chaka Khan, and Gladys Knight united at Radio City Music Hall on May 4 for Divas With Heart, an historic benefit concert for New York 's renowned Masonic Medical Research Laboratory.

Self-proclaimed divas and wannabe divas of all types came from all over to witness this rare concert event. Star Jones, Ashford & Simpson, and even Omarosa were in the house.

Backed by the American Theater Orchestra under the direction of Paul Gemignani, the divas delivered two shows that day. There was nothing extraordinarily different about their performances; they were abbreviated versions of their usual standalone sets. But having all four of these divas, three of them sixtysomething's and another in her fifties, performing on the same bill was nothing short of magic.

Chaka was the powerhouse. Gladys was soul stirrer. Diana was the beauty queen. Patti was drama queen.

The earlier of the shows was a 4-hour marathon of musical memories and nostalgia. Probably the best walk down memory lane was led by Gladys Knight, who took fans on a musical journey through hits from her days with The Pips. She profoundly connected with the audience with anecdotes from their collective experiences, like slow-dancing in a dimly-lit basement until your parents came down to break things up ("Every Beat of My Heart"). Oldies like "Midnight Train to Georgia" and "The Nitty Gritty" kept her 40-minute set energetic as she glided from her '60s Apollo Theater era through her R&B-Pop crossover era of the '80s ("Save the Overtime").

Dressed in a long, flowing semi-sheer dress in purple--her homage to the show's "heart" theme--diva Gladys visibly enjoyed the memories as much as the audience, who didn't hesitate to sing or clap along. She and her eight background vocalists also paid homage to her favorite songs by Luther Vandross and The Jacksons, as well as her own cover of the R&B hit "Superwoman," a song she said she "borrowed from one of the little girls" (referring to Karyn White). She simultaneously exuded veteran showmanship and bright-eyed innocence.

"This is my first time [performing] at Radio City Music Hall ," she beamed with her trademark smile. She even borrowed a camera and took a picture of the audience to capture the moment. "Neither One of Us," a Grammy Award winner and Hall of Fame recipient, found her emotional as she sang with eyes closed and arms stretched. The audience responded with a roaring standing ovation.

Pulling herself together, she finished the show on a high note with one of only two of her solo hits in this set, her 1994 cover of Boyz II Men's "End of the Road."

Ironically, the road on this musical journey was just unfolding and soon led to 1984: "I Feel For You," Chaka Khan's massive hit courtesy of Prince. The sound of the song's opening "Chaka-Chaka-Chaka" turntable scratch got her fans fired up in no time.

Chaka's half-hour set, the shortest and least awe-inspiring of all the divas, was book-ended by dance fests to her biggest hits. While the audience partied to the #1 Billboard smash "Ain't Nobody" (recorded with her former band Rufus), Chaka salsa stepped in her form-fitting, bell-bottomed, purple and black fashion-questionable getup. She shamelessly had to pull her pants up a bit after all that dancing, and the audience ate it up with laughter.

The big-haired diva's mood was carefree and positive. The orchestral intro to "To Sir With Love" inspired her to dance whimsically about the stage. "That's my favorite song," she gushed over the song she covered for her jazz standards album, Classikhan. Her upbeat, engaging disposition showed she was genuinely happy to be there.

But vocally, Chaka didn't deliver a knock-'em-out performance like this special show might have warranted. Maybe the humility she expressed of performing on the bill with her "sisters," as she called the other divas, kept her from letting loose. Misunderstand not: Chaka HOLLERED and scatted and hollered some more. "Through the Fire" was vocally impressive but emotionless. She belted so effortlessly that it seemed she was just going through the motions. "Angel," from her recent Grammy Award winning album, Funk This, was just average.

Chaka's show closer turned things around and got the people on their feet. As red lights illuminated the hall's ceiling, she belted her woman-power anthem "I'm Every Woman" and encouraged the men to sing along, too.

After a brief intermission, Patti LaBelle pranced out in a voluminous, white coat dress and had the audience eating out the palm of her hand. "Patti, Patti!" the audience shouted in response to her "say my name" command on "When You Talk About Love." She furthered the journey down memory lane with a medley of her hits, including R&B staples "If Only You Knew" and "Love, Need and Want You."

Patti brought diva drama to this show high above all the other divas. She used a mirror to check her face and asymmetrical, bob-style wig, as diamonds sparkled forever around her neck. Her well-oiled, mocha-complexioned legs were perched atop stilettos by Versace and Christian Louboutin (she changed them three times).

Patti kept it real. "Hey, people in the balcony," she said with a smiling gaze. She talked a lot--about her ever-present menopause, about having diabetes (but diabetes not having her), her hurting feet, her fellow divas, and the loved ones she lost too soon. She dedicated "You Are My Friend" to the memory of a long list of notables that included Gerald Levert, Sean Levert, Yolanda King, and Anna Nicole Smith. "I sing to keep their candles lighted," she said overcome with emotion.

Diva Patti's drama and her repeated shout-outs, anecdotes and conversation often overshadowed her vocal performance. Rolling across the stage with her stilettos strewn about was more memorable than the notes she belted from down there. She asked a lanky Englishman in the front row to help her up off the floor. Then, she shifted the drama to her voice with "2 Steps Away," an inspirational song that was also emotional for her.

The highlight of Patti's set was the surprise reunion with former LaBelle group members Sarah Dash and Nona Hendryx, who electrified with their hit "Lady Marmalade." Audience members were invited on stage to get sassy with the ladies. Ironically, this reunion was a magical moment that all but one of the show's divas have been privileged to share with their former group members in the recent era. Chaka has done so a few times. Gladys never truly left hers. But Diana tried very publicly a few years ago with no success. Patti also revealed that LaBelle was finishing their reunion album, due in September, featuring collaborations with Lenny Kravitz, Leon Gamble, and Nile Rodgers.

At 48 minutes long, Patti's set went over the divas' half-hour set time mandate. Her extended rendition of "Somewhere Over the Rainbow" had people waving blue glow sticks in the air in approval. She wore it out for sure. "You've got so much more show to see," she interrupted before the song's big finish. "I love you, New York ." And with that, she hoisted the microphone stand in the air and tossed it across the stage as she belted the final note. The audience erupted in standing applause, and Patti stepped into the audience share hugs.

After her slow exit, the audience begged for more with chants of "Patti! Patti! Patti! Patti!" Little did they know that another diva was waiting in the wings (or rather, the lobby) preparing her grand entrance. And what a grand entrance it was.

Unlike the others, diva Diana Ross entered from the back of the auditorium, wrapped in a fiery ball of red Flamenco ruffles and trailed by intimidating bodyguards. "I'm Coming Out," the fitting soundtrack to her entrance, drew starry-eyed gazes and waves as she strutted by.

Dropping the ruffled train of her dress to the stage floor, she embarked on the last leg of show's musical journey through time. Supremes-era, love-themed hits like "Baby Love," "Stop! In the Name of Love," and "You Can't Hurry Love" had every voice in the auditorium singing along to every word.

"The super-duper Supremes," Diana exclaimed with pride. "You've had lots of great memories tonight." She let the oldies speak for themselves and added little commentary. Her set was more sing-along and less of a guided tour through time. "I love it when you sing along," she said and encouraged so on "Endless Love." More blue glow sticks waved back and forth from the audience, too.

Halfway through her 43-minute set, she bowed to the audience with her arms outstretched. This classic Diana gesture was only the tip of the Diana diva drama iceberg. Diana put Patti's three shoe changes to shame with five dazzling clothing "looks" culled from two dresses accessorized with a removable ruffle train, a stole of tulle netting, and a long black coat embroidered with silver sequins and dramatic black feathers.

Still, she exuded grace and elegance, standing regal on red platform pumps under her fluffy weaved dome. That is, when she wasn't shimmying and hip-shaking. "Alright, I wanna see some chair-dancin' out there" she directed on "Upside Down." When a diva says dance, she means dance! The audience responded without hesitation. For them, it was all about the music, and Diana delivered with a handful of her solo hits to round out her set.

The crescendo of Diana's #1 Billboard hit "Ain't No Mountain High Enough" lifted people out of their seats during the set's climatic moment. The sequined diva worked both sides of the stage on "I Will Survive," and delivered a heart-tugging rendition of "I Love You" with her two background vocalists.

By the time the curtain fell on this diva, an unexplainable high had consumed the audience. People hurriedly dug out their cell phones to share the experience with others while still exiting the aisles. Many surely had never experienced such an awesome afternoon of music, and likely they never would again. They witnessed music history. Diva history.

Hours later the divas would do it all again. But this time, a concertgoer reports, three of the divas--Patti, Gladys, and Chaka--closed the night with a rendition of "Lean On Me," which also featured Sarah Dash and Nona Hendryx. Diana reportedly did not participate--a diva to the very end.

http://youtube.com/watch?v=-7jsLYWp0Ms

http://youtube.com/watch?v=Hg768AX9k5s

http://youtube.com/watch?v=Kyz5bCRMa8M

■

DIVAS DOWN! Diana, Patti, Chaka, and Gladys:

Top 15 Diva Moments of the Divas With Heart Show

By Michael K. Watts

New Yorkers witnessed music history on May 4 as the Divas With Heart benefit concert brought Diana Ross, Patti LaBelle, Chaka Khan, and Gladys Knight together at Radio City Music Hall for two unforgettable shows. Concertgoers also witnessed divas being divas in their own quirky ways.

Divas are classy and crass. They can be stone cold or a hot mess. Usually, they're in excellent voice, but not always. An elegant, flowing gown and matching stilettos are a must. Divas command their stage, but sometimes things fall apart. They forget lyrics to their own songs, the members of their own band, and anything else they're forced to remember. To be a diva is to be all of these things and still be fabulous in spite of herself.

With all of these divas on one stage under one roof, the diva moments were endless in a 4-hour show. Here's a countdown of the Top 15 Diva Moments from the first of two shows that magical day:

1. PATTI: A diva is never too grand to get down and dirty. In classic Patti style, the diva performed a portion of "You Are My Friend" on her knees, then lying on her back, and with a couple of rolls across the stage floor. She even kicked off her Christian Louboutin pumps--the second time she had done so, and now there were four stiletto pumps strewn about her stage. One of the pumps got away from the others, and a man in the front row kindly sailed it back across the floor closer to Patti. Outdone that he had tossed one of her pumps, Patti stopped the show and made the man come on stage and hand it to her properly. Moments later she borrowed a pair of thong sandals from a female audience member for her aching feet. She thanked the young lady for letting her borrow the shoes by giving her a few of the flowers she had received earlier from Chaka. Oh, yes, she did!

2. CHAKA: Sometimes a diva has to adjust her costume. Chaka, in a borderline crass move, stepped back to the area next to the conductor with her backside to the audience, pulled up her sagging pants with a few shakes of her hips, and strolled back to the front of the stage to perform the classy, romantic "To Sir With Love." Only a diva can do that.

3. PATTI: Who said divas had to remember people's names? After her opening number, Patti was wound up with energy and was moved to thank various people on stage for being with her. She thanked band members by name, but she suspiciously didn't, or possibly couldn't, name her background vocalists. She also forgot the name of the orchestra conductor. Then, she thanked Gladys, Chaka and the "little girl before me," referring to Jaine Rogers who opened the second act. Moments later, however, she had no problems remembering designer names Donna Karan, Zang Toi, Gianni Versace, and Christian Louboutin whom she thanked for her clothing and stilettos.

4. GLADYS: A diva can never have too many people around her. Although the divas were all backed by the American Theater Orchestra, they brought their own rhythm sections and background vocalists. While the other divas brought three or fewer background vocalists, Gladys was the only one bold enough to bring a whopping eight (8) of them. Yes, eight.

5. DIANA: A diva must always make a grand entrance. Diana was the only diva to enter the venue from the rear center aisle of the audience, something she ironically hasn't done in quite some time. She was a big, fiery ball of red Flamenco ruffles and jet black hair weave that exploded on stage to the tune of "I'm Coming Out." Now, that's a diva entrance.

6. PATTI: A diva's performance rider must be fulfilled without fail. After her big opening number, Patti was out of breath and thirsty. She looked for water atop her piano which is her makeshift dressing area on stage, fit with flowers and necessities like tissues, a mirror, and replacement stilettos if her feet hurt. She held up an empty crystal glass and sang these words to a made up melody: "I need some water right now, and I don't see no water right now." Shockingly, water wasn't rushed on stage in time for the next song. Gasp!

7. DIANA: A true diva changes her outfit at least twice during a performance. Diana, in classic Diana style, wore five gown "looks" for a set lasting just under 45 minutes. A red long strapless, sequined gown was worn with a Flamenco style ruffle train, without the Flamenco train, and with a red stole of tulle netting which an assistant brought out in the middle of "Why Do Fools Fall In Love?" A black strapless, sequined gown was worn alone and with long black coat embroidered with silver sequins and dramatic black feathers.

8. CHAKA: Divas generally prefer their shows to go only as they have planned. Halfway through her set, Chaka was speaking to the audience about her music. Someone in the audience interrupted her and yelled out a request for her to sing "Through the Fire." Chaka quipped, "Ok, darling, we're gonna get to that." Then she discovered the song was actually up next. After a pause, she half-begrudgingly admitted, "We're gonna do it right now."

9. GLADYS: Divas will be divas. In introducing her cover of Karyn White's hit "Superwoman," Gladys said sometimes she comes across a song from the younger generation with a message that speaks to her. So, she said she decided to borrow the song from one of the "little girls"… as the stagehands set three stools across the stage for her and two background vocalists to perform the same song, Gladys teased them by accusing them of setting stools out when she had not said she was tired. She joked, "I guess I'll just sit all across the stage."

10. PATTI: Shoe maintenance is essential for a diva's performance. A few songs into her set, Patti said her stiletto pumps were fierce but had to come off. So, she kicked off her Versace pumps right on stage and put on a fresh pair of Christian Louboutin pumps instead. "I was born in pumps," she sassily remarked.

11. DIANA: What a diva says goes… even if she's wrong. Toward the end of her set, Diana had a proud moment for this special show. She looked up at the video monitor and read the words of the show's title. "Divas With A Heart," she said emphatically. The show was actually dubbed Divas With Heart, but who would dare correct Diana?

12. MYSTERY DIVA: A diva doesn't do anything unless she really wants to. Between acts it was announced that the show's charity, Masonic Medical Research Laboratory, had received a donated grand piano. The organization was said to be auctioning the piano which "most of our divas have signed." I won't dare guess which diva had not yet signed it.

13. DIANA: The older they get, the less divas like to work. But they can still laugh about it. Halfway through her set, Diana basked in the glow of nostalgia from her music. "This is like the good old days," she said. "Two shows in one night? Oh, God!" She laughed and clutched her fictitious pearls.

14. GLADYS: Sometimes divas need unexpected assistance with their performances. In the opening lines of " Midnight Train to Georgia ," Gladys asked the audience to sing along by saying, "Come on! Be my Pips!"

Thanks Michael!

Yes! I'm still smiling <grinning cheek to cheek - showing all teeth>

My friend Carl Nelson asked me to be one of the hosts for the 6^th annual “Drums Along The Hudson” (www.drumsalongthehudson.com/). I tell you about it every time I go. There were drummers & dancers from around the world, Manhattan ’s only open-air Pow Wow, storytelling, Native American arts & crafts, International Food, Free Shad Tasting & Hudson River Fish Exhibits. What more could you ask for? Well, one of my journalist mentors from Atlanta , Xernona Clayton, Creator and Executive Producer of the Trumpet Awards (www.trumpetfoundation.org/home.htm) was honored.

One group, THE WARWICK GOMBEY TROUPE, were flown in from Bermuda for which they have been its cultural ambassadors since 1996. They are an artistic organization whose mission it is to bridge Bermuda culturally to the world through its indigenous music and dance. I even got to take my turn with them.

Ant got to pose with Captain Planet. And I got the chance to be serenaded by Parrots for Peace (www.youtube.com/watch?v=zboT4vzXirw).

We experienced dance combo “Along the Caravan Route”. They took us on a journey along the ancient trade routes passing through India, the Middle East and Spain . Pandit Satya Narayana Charka, Ramzi El-Edlibi, and Sol Koeraus performed.

From Northeast India , we watched Trinayan, a non-profit group of diverse dancers with an average of twenty years in Odissi Dance. “Trinayan” which means the third eye is the nexus of diverse energy in every human being.

We also enjoyed Jeannie and Jerry McDonald of the Mohawk Singers and Dancers. They did a beautiful dance based on the life of an eagle.

But having Xernona Clayton there was the most special. She lives in Atlanta and is part Cherokee. She is the creator, president and CEO of the Trumpet Awards Foundation, which is an organization that highlights the accomplishments of men and women who have significantly contributed to enhancing the quality of life for all. Xernona is a woman of many firsts. She was the first woman of color to have her own TV show in the south. She has been employed at Turner Broadcasting for nearly thirty years. In 1988, Ms. Clayton was appointed Corporate Vice President of Urban Affairs for Turner Broadcasting Inc. In this capacity, she directed internal and external projects for the corporation and served as liaison between Turner Broadcasting and Super Station TNT, Atlanta Braves and Atlanta Hawks and civic groups in Atlanta and across the country. As a corporate executive, Xernona is one of the highest ranking female employees of Turner Broadcasting. She was the special events person for the late Dr. Martin Luther King.

Many of our good friends were there. Ant’s high school buddy Paul came by for the cause. It gave us a chance to bond a bit more. My friend Murphy from “Harlemmade” (www.harlemmade.com/) was there. He – along with Ant and others - is featured in the REMY Martin/Photographer David LaChapelle video (http://www.remy.com/) for which I conducted interviews with a diverse repository of New York City men and women. The bottle LaChapelle created channels Josephine Baker and Paris and The Jazz Age and the energy of that time and period. The design features a curvaceous woman dancing in a brightly-colored jungle. The bottle will sell for $50 and will be available at wine and spirits stores around the U.S starting in June. There will be 150,000 bottles produced. The recent launch party for it took place at Smashbox Studios in West Hollywood . There should be a New York City celebration that I’ll tell you about… very soon.

Ant and I got the chance to hang out with my “Amazing Grace” Nichole and our buddy Dawn. It’s been a minute as Nichole has been out-of-town a bit of late. Now that she’s back, she wanted us to hook up immediately – so I could see her new car. It’s gorgeous and perfect for summer as it’s a convertible. We enjoyed a bite at Ideya Latin Bistro in SOHO (www.ideya.net/) – a spot Itika and I got to enjoy during her visit last year (http://thelifeofriley.squarespace.com/rilys-blog/2007/6/4/brothers-and-sisters-play-and-real.html). [By the way, check my Ti-Ti out on Chicago NBC 5’s NudeHippo.tv (www.NudeHippo.tv). It is an off-beat, magazine-style and news entertainment program featuring great people, fun locations, and cool events. This is Ti-Ti’s report on Chicago ’s popular dance passtime ‘stepping’ - http://www.nbc5.com/nudehippo/motionbox.html?dest=%2Fembed%2Fbasic_player%2Fa098dfb0191ce228%3Fgroup_name%3DNBC5. So proud of you Ti-Ti! Keep up the good work!].

Also that evening, our girlfriend Gail from our favorite boutique “N” ( www.nharlemnewyork.com/ ) put her artist’s cap on and co-hosted her art show’s opening nights. It took place at Fuse Gallery (www.fusegallerynyc.com). It’s “Sweet City Woman: Group show Curated by Queen Andrea and GMO$”, who are joined by Toofly, Alice Mizrachi, Muck, and Gillian Goldstein. It runs from May 3^rd through May 31^st. All of her N bosses Lenn, Larry, and Nikoa came out as did the store’s associates Natasha (who always brings her sass and fun); and Jamar. The night didn’t just end with art. It ended with Dallas BBQ wings and things (www.bbqnyc.com). They’re always appropriate, aren’t they?

Before we went to “DIVAS WITH HEART”, Carl invited Ant and me to see Xernona Clayton one more time at Lucy (www.lucylatinkitchen.com/). There, Ms. Clayton dropped science one more time on how awesome it was that these diverse energies were converging under one roof (and – the day prior for The Drums Along The Hudson – under one sky) to see Dr. King’s dream through to its reality. Also, Carl got the chance to thank all of those who made Drums Along The Hudson such a success. My Morehouse brother and buddy was a part as well. He was Xernona's personal escort during her time here in New York City. Ant and I truly felt firmly that we were in the presence of a legend, an icon, a guiding light for us all.

On Cinco de Mayo, Ant, Manivone, and I joined Jason, Marqice, Troy, and others at The Hudson Hotel ( www.hudsonhotel.com ). The backdrop was the beats and music of DJ house legend Louie Vega. The high-priced cocktails notwithstanding, we had a nice time. Afterwards, Ant introduced me to a new, healthy food franchise in Chelsea, Energy Kitchen ( www.energykitchen.com/ ) which promises fast, fit, and delicious food. They made good on the promise as the cajun salmon, home fries, and corn were off the chain. Ant loved the spinach and brocoli as well. It might be one of our new spots to ensure we can eat well and economically.

Going to karaoke is nothing new for us, but we met a cool couple Vincent and Zulma. Great seeing you folks. Also, every 2^nd Saturday, Plum Bar is the backdrop for my friends Craig and Mario’s set. After karaoke and a day of errands/spa treatments, Ant and I attended. It’s always great to see the guys and catch up on our respective lives since the last time. In the house, there was Jamar and Ryan; my Melvin (and of course Mario); Hal and my Morehouse brother Jay. Also, my Terry Wynn II who is soon to celebrate a birthday. Can't wait, Terry! A GOOD TIME!

Though much of the week was status-quo, a few highlights stand out (and there’s always a shout out or six to do):

1. I did not attend the Metropolitan Museum of Art Costume Institute Gala (www.metmuseum.org), but the hair designs of my dear friend Ted Gibson ( www.tedgibsonsalon.com/ ) did. He gave Hollywood starlet Michelle Monaghan her gorgeous and perfectly coiffed tresses at the Met Costume Gala. GO TED!

2. As Michael K. Watts and I have begun co-producing the NABJ Hall of Fame Banquet (www.nabj.org) scheduled for Chicago in July, I’m reminded of how great it was to produce Rene Syler for our NABJ Salute to Excellence Awards a few years back in Washington D.C. She was so rushed to make the booking, she left her make up at home. She called in the challenge and I made sure – via a handful of women whose complexions were similar – to have those options awaiting her when she got there. (A producer’s job never ends). From there, she popped an altoid and worked her magic. Now, the former CBS Early Show co-anchor can be seen on Parents TV(http://www.parents.com/parentstv/?_requestid=1521497), a service of Meredith Corporation, the publisher of such magazines as Better Homes and Gardens and Ladies' Home Journal. Author of "Good-Enough Mother" will host the channel's first long-form show starting next month. The "Good Enough Mother" will debut on Comcast VOD, Sprint TV phones, and on www.parents.tv. CONGRATS RENE!

3. Remember I told you how a few weeks back in Chicago, my friend Gil Robertson (www.robertsontreatment.com/) introduced me to his client, sports agent Kimberly Holland, who founded and owns Icon Management Inc. (www.jurgita.com/agencies-id98766.html). Based in Atlanta, her sports agency is a home for athletes who need representation and a nurturing vision behind them. She and Gil were in Chicago for the United States Olympic Committee’s media conference (www.usoc.org/). Kimberly has a repository of talented sprinters who have won Olympic gold before and are en route to Beijing – Olympics 2008 to win some more. And she’s featured in this month’s issue of Sister 2 Sister (www.s2smagazine.com) in the “Who Does She Think She Is?” feature section. CONGRATS!

4. You too should remember me stumbling back into a good friend Miles Anthony via MY SPACE. I shouted out his artist DARIEN (http://thelifeofriley.squarespace.com/rilys-blog/2008/2/12/so-much-left-to-do-so-little-time.html). Well, more are abuzz about this hot new singer/songwriter on the scene. Another website has done an article on Darien naming him the Featured Artist. The site is called “Funky People Online” and they have their hands on the pulse of what is going on. Check out the article: http://www.funkypeopleonline.com/nl_043008.html Darien 's album will be released this summer so please be on the look out for it.

5. I've mentioned LIVE OUT LOUD to you folks before (www.liveoutloud.info). Over the last six years, LIVE OUT LOUD has created the opportunity to bring over 200 LGBT role models to the New York City, tri-state area high schools, youth centers, and colleges. This group raises the voices of the LGBT community so the LGBTQ youth of today can discover theirs. I'm proud to be one of those voices that LIVE OUT LOUD calls on from time to time. Tomorrow, I am speaking to students at Buschwick School for Social Justice during their LGBT Pride Week. I'll look forward to sharing that with you next time.

You folks know I’m always working on many things at once. In addition to my normal load of location assignments and celebrity/pop culture interviews, I have been working on some other projects and on attracting some summer work as some of my more regulated fare goes on hiatus. With that, you’ll recall Latina filmmaker Sue May signed me to contribute to her low-budget, independent documentary “Big Sister, Little Sister” (www.bslsthedoc.com - in progress; www.myspace.com/bslsthedoc) to book a half dozen or so high profile women of color to share their experiences at their high school prom, graduation, and first post-high-school memories (likely college). I am excited to report that "America's Next Top Model" Cycle 4 Naima has committed to be the NARRATOR of "Big Sister, Little Sister" (and will additionally be interviewed for the companion public service video "New Girl Next Door"). Additionally for our special cameos, I have successfully booked CNN's Soledad O'Brien and international journalist Lisa Ling, though we’re still working out scheduling with those two ladies. A few more bookings (from a tall wish list of great names) and we’ll be ready to shoot. Feel free to reach out to me (patarack@hotmail.com), if you or your client might want more information to be considered for our cameos or if you’d like to make a tax-deductible donation to this project which has many funding opportunities.

In addition to this work, I am committed to co-produce the National Association of Black Journalists’ Hall of Fame Banquet with my Morehouse buddy Michael K. Watts (www.nabj.org). It’s scheduled for July at the Unity Convention in Chicago (www.unityjournalists.org/) or (www.2008unity.org/). And it is always a total honor to create a flow for a program that honors those journalists who are out there in the trenches and also to pay homage to those on whose shoulders we stand.

Additionally, I’m in talks to join a creative team that will produce a workout video for a pop diva; I’ve been asked to consider hosting a web series; and I’ll be putting some new energy into this space’s upgrade – website home, video content, new titles/graphics, etc.

Plus, my nephew (Noot… I call him) has accepted a summer internship with HBO (www.hbo.com/), which will require he travel up from Atlanta (where he is soon to be a rising junior at Morehouse College - www.morehouse.edu/) and stay with Ant and me in our Ridgefield Park, New Jersey co-op. Send a prayer for Ant who must manage his new summer work with a very popular radio-diva-turned-TV-talk-show-host (more on that later) with living under one roof with not one, but TWO “Riley”s! And actually, my nephew is the easier Riley of us two. I’m sure we’ll do fine. (But PRAY! SMILE! For real…).

Hopefully Ant will remember what a special time we had in celebration of his birthday and play nice. Upon my return from Chicago, Ant and I were joined by his frat brother and friend Chris who came up from Durham, North Carolina to join in the festivities. We did a round of celebrating with Ant’s Amazing Grace (who just moved to New York from Brooklyn) at The Ritz on Restaurant Row in the Theater District. We were excited to run into my Morehouse brother Mario (responsible for Ant and my meeting on that special night at the after party for Broadway’s “The Color Purple”).

The following day, Ant and I did a round of generic manicures, pedicures, haircuts, etc. before grabbing a bite at Dallas BBQ (cheap eats) – www.bbqnyc.com. Imagine my surprise as I hear someone calling my name as soon as we walk onto the dining room floor. At closer inspection, I see that it’s my new friend Chico Debarge ( http://www.myspace.com/chicodebarge1) who had just performed a few days prior in Chicago . Remember? (http://thelifeofriley.squarespace.com/rilys-blog/2008/4/16/as-the-sun-has-its-place-up-in-the-sky.html). Well, he was with Young Nik (www.youngnik.musicnation.com/) - a hot songwriter who is working with Chico and has worked with 50 Cent and a number of others in R&B and hip hop. She's a sweet girl. Going from the well-known Fort Greene Projects to The Source magazine, she was awarded unsigned Hype in June 05' for her talent. Young Nik was honorably invited to be one of seven chosen for HOT 97's own DJ Kay Slays' show as one of the hottest unsigned females in the tri-state area. She was also called out by Miss Jones; another HOT 97 morning show personality, to do a promo "The summer of 2006" that is still in rotation now, the "ballin'" remix "good mornin'". Young Nik also performed at Miss Jones birthday party for 2006. She too has recorded her own music "On The Rize!" and a host of other collaborations. Also, Chico got to meet my Ant and as always, he was showing up as such a kind soul. Happy to have met him and now run into him again. Can't wait for his new project. Hopefully I will get to hear some of it before it comes out. Chico invited me to hang out in the studio one day soon. (I'll be sipping on hot tea, just in case he needs me on the mic. SMILE!).

Guess what? Jason and Marqice are back “… in the life of Riley…”. They are ALWAYS in my world, but have been missing from the BLOG chronicles of late. Well, since Marqice too celebrates his birthday during this time (as he and Ant are a few days apart from each other on the birthday tip). With that, we have to take time to celebrate him too. With Chris, Manivone, and Manivone’s roommate Alea in tow, we schlepped out to Queens for a lovely set at which many of our usual suspects – from Marlynn to Troy to Alexia to Lesley "Butttahfly Soul" – were in the house. We all got to share how much Marqice means to us. He even got emotional at a point. And as is always the case, I ran into a ‘blast from the past’ though we’d never met. His name is Daniel Frazier who hails from Brunswick, Georgia – which is a stone’s throw from Savannah, Georgia (my home). He went to Glynn Academy (http://glynn.schooldesk.net/Default.aspx?TabID=1222&Action=Show) – a friendly rival to my alma mater Windsor Forest High School ( WINDSORHS.SCCPSS.ORG ). It turns out that he too went to Morehouse College ( www.morehouse.edu/ ), but a few years before me. And his father Alfonzo Frazier is a legendary jazz musician who is actually from Savannah, Georgia. Along with Daniel’s grandmother Addie Gibbs Frazier, his father was laid to rest in the historic and haunted Bonaventure Cemetary ( www.bonaventurehistorical.org/ ). HAPPY BIRTHDAY, MARQICE! WE LOVE YOU!

The next day, I enrolled Chris and Ant to join me on my new jones for the McDonald’s southern-style chicken sandwich ( www.mcdonalds.com/ ). While we snacked in Chris’ car (while Ant secured the ingredients for his birthday brownie that he and Manivone were going to make at her Brooklyn place), I got a call from my dear friend and Morehouse brother Devon, who I write often is my pop culture soulmate (We love all things “Dreamgirls”, “Diana Ross”, and more in common). He is an actor who I’m proud to say (again) is on the road with “Rent” (www.siteforrent.com/). The touring cast was to perform in Savannah and he called to find out where he should eat, hang out, etc. Though it’s been many years since I’d been to Savannah, I did recall “Lady & Sons” as a staple the last time I was there ( www.ladyandsons.com ). Always good to hear from my Devon! From supermarket to Brooklyn, Ant got to blow out his candles. Jason and Marqice joined in the festivities. And we got the celebration off to a festive start. Then, we all went to The Chapel of Sacred Mirrors (www.cosm.org) – Ant’s new spot (Remember? He was first introduced to it at the Erykah Badu listening party - http://thelifeofriley.squarespace.com/rilys-blog/2008/2/22/cup-runneth-over.html). It’s chockfull of metaphysical art! He was happy to be there. And friends Ern, Mara, and others joined us. But the celebration didn’t stop there. We went to Cafeteria (www.cafeteria247.com) for a little post-museum snack.  

On Tuesday, the actual birthday (that he shares with America Ferrera whose character “Ugly Betty” celebrated her birthday this week on the show), Ant chose AJA Asian Bistro (www.AJA-Asianbistro.com) as the backdrop. It was special because not only did Manivone join us, but a dear childhood friend to Manivone and Ant both – Paul – was in town (and instrumental in sending some production work Ant’s way for VH-1’s new “Apprentice”-style reality show). Paul brought some of his colleagues to the set and those three got to walk down memory lane. Also, my buddies who hold Ant dear – Mario and Michael – came to toast his special day. Some new friends – including Edwin (with whom we have Momentum – www.momentumeducation.com – in common) joined us. It was another great night!

A couple of days later, Edwin invited us down to the village to enjoy drinks and live entertainment at Terra Blues (www.terrablues.com). Our friends in common (with Edwin) – Raoul and Rubin – came on this night and it was great to see them (as always). Though the karaoke machine hadn’t been hooked up before Ant, Manivone, and I had to leave, Rubin, Raoul, and I began a little dress rehearsal. From there, Ant, Manivone, and I segued to my favorite boutique N Harlem (www.nharlemnewyork.com/) to enjoy “wines and spirits” with singer Rahsaan Patterson whose new album “Wines & Spirits” is out (www.rahsaan.com and/or www.myspace.com/rahspace). I love his voice and it was nice to meet him. It too was great to see all of my buddies at “N” – the owners Nikoa, Lenn, and Larry. And also Natasha, Jamar, and Gail who is getting ready to participate in an art show at Fuse Gallery (www.fusegallerynyc.com). It’s called “Sweet City Woman: Group show Curated by Queen Andrea and GMO$”, who are joined by Toofly, Alice Mizrachi, Muck, and Gillian Goldstein. It runs from May 3^rd through May 31^st. CONGRATS GAIL! Afterwards, we hung out with Jamar and his buddy Ryan (who I’ve written about before and who I’m happy to report is working on a pilot for IFC (Independent Film Channel - www.IFC.com). He's a performer and his comic troop Poykpac can be seen on You Tube - http://www.youtube.com/watch?v=RiZVc_EJMQM (and other links) - and soon in NYC - www.poykpac.com/. CONGRATS RYAN!

Working hard and playing hard is what we do. Ant and I had a full day of work – respectively – on last Friday. I got the chance to join Michael K. Watts for a quick lunch at Times Square “Ruby Tuesday” ( www.rubytuesday.com/ ) before stumbling into my Morehouse brother George R. Greenidge Jr. who is Founder and President of National Black College Alliance (www.nbcalliance.org). He told me he is going to bring much of the good work he’s doing by way of Boston to New York City. Then, I joined Ant at Thai Select (right by the Lincoln Tunnel) for his lite bite.

We called it a night early – so we could go to “Six Flags Great Adventure” (www.sixflags.com/) the next day in continuation of Ant’s birthday extravaganza!!! Our guest list for this set included Ern and Kimberly Jajuan. We were all quite energetic and excited at the top of our evening. Then, we began to ride one ‘ridiculously-fast’ rollercoaster after another. What fun! But scary!!!  Afterwards, we were wiped out. See Ern? Is he joking? SMILE! But we had a great time. While walking along the park, we ran into my friend Ronnie Wright who is “photographer for the stars” ( http://www.myspace.com/ronniewright_photographer ) and is featured in Vibe Magazine ( www.vibe.com/ ) this month. I always see Ronnie at the big parties in New York City via the red carpet or VIP sections. He’s always been kind and manages to get great shots of me. This time, I turned the camera on him and made sure he and I were on the front side of the lens.

After our “Six Flags” time, we did another round of BBQ (72^nd near Central Park West this time) to join Ern’s friend Tina who wanted to celebrate Ant as well. It was great to see her and we all enjoyed a night of good food, drinks, and home entertainment (Ern’s Tivo! SMILE!).

On Sunday, we found a great way to keep Ant’s BDAY Extravaganza going, by seeing Laurence Fishburne in the Broadway play (one-man-show) “Thurgood” ( www.thurgoodbroadway.com/ ). He is awesome and I highly recommend this 90-minute show (no intermission) to you all. My friend Natalie Clarke who is Senior Director of Marketing and Client Services for Walker International Communications Group, Inc (www.walkercommunicationsgroup.com) sent me a deal to share with you. THREE EASY WAYS TO ORDER:

1. ONLINE. Click here, or visit www.broadwayoffers.com and enter code THWCEB8.

2. BY PHONE. Call 212-947-8844 and mention code THWCEB8.

3. IN PERSON. Beginning March 24, bring a print out of this offer to the Booth Theatre Box Office, 222 West 45th Street.

Performance schedule: Tues.-Sat. at 8; Wed. & Sat. at 2, Sun. at 3

While at this performance, I ran into my friend Terrance Dean (who I talked about in the previous entry - http://thelifeofriley.squarespace.com/rilys-blog/2008/4/16/as-the-sun-has-its-place-up-in-the-sky.html). His highly- anticipated memoir is hitting the bookstores on May 13^th from Atria/Simon & Schuster. “ Hiding in Hip Hop: On the Down Low in the Entertainment Industry-From Music To Hollywood” is the explosive tale of his tumultuous life as a down low brother in not only the entertainment business, but within the testosterone-driven world of Hip Hop no less! Sincere to his unending commitment as an activist, author and motivator, Terrance Dean has launched a personal blog in advance of the novel's release, "Reclaim Your Voice, Reclaim Your Life, Reclaim Your Power" at www.TerranceDean.blogspot.com. The blog reflects Dean's own periodic musings as he embarks on this next dimension of his life's journey. KEEP BEING THAT DIFFERENCE, TERRANCE! While hanging out down there in the theater district, I ran into Peter Gallagher who is co-starring with Morgan Freeman in “The Country Girl” – also on Broadway (www.thecountrygirlonbroadway.com). I loved him in one of my first HBO movies in the early ‘80s “The Idolmaker” (http://en.wikipedia.org/wiki/The_Idolmaker). Remember that? After the show, we went to see Amy Poeller and Tina Fey in “Baby Mama” (www.babymamamovie.net/). LOVED IT!

On Monday, Phillip Bloch (www.phillipbloch.com/) invited me to join him for a Tribeca Film Festival dinner that The Creative Coalition (www.TheCreativeCoalition.org) was putting on at Meatpacking district’s STK (www.stkhouse.com). It was a room full of who’s who in film – from Matthew Modine to Bloch himself (who is soon to be featured in another flick titled “Gospel Hill” – Giancarlo Esposito’s directorial debut – also starring Nia Long, Angela Bassett, and a host of others). Also, Phillip is poised to star in a reality show with Vivica A. Fox. Stay tuned for more on that. We had a lovely time – catching up as it had been a minute since we had a chance to talk and catch up. We met Noreen Mulvanerty, RN who is the inventor of Omyst (www.Omyst.com) - a healing herbal first aid spray containing pure and organically grown ingredients. It's an age old medicine powerful enough to heal yet gentle enough to soothe all minor cuts, scratches, rashes, minor burns, & insect bites. Of course, Phillip and I found time to talk all things pop culture and divas. Phillip said to me “You can definitely hold your own in a pop culture conversation and I'm often considered to be quite a whiz kid on the subject. But you my dear, are definitely an equal!” So sweet! THANKS PHILLIP! But if I was that good, I would have known that Miss Ross was just a stone’s throw from our dinner at the Tribeca Film Festival premiere of “Iron Man”.

On Tuesday, Ant and I got the chance to catch a new duo of sisters Kelly and Kamille, a.k.a. Karmina (www.karmina.com/). In their press materials, they are described as “…part

Sarah McLaughlin, Loreena McKennitt, Indigo girls, and Jewel – with some of the edge and attitude of Evanescence and Avril Lavigne thrown in…” We just call them soulful, sweet, and stellar singers. The cozy backdrop of Cibar Lounge (www.cibarlounge.com) helped set the scene as well. One of their songs “The Kiss” speaks of a forbidden love (http://www.youtube.com/watch?v=HIc4-_vvJgY). Ant and I related to that. Afterwards, their publicist Claire Mercuri made sure we met the ladies whose personalities are as sweet as their sound. We got to enjoy the night with good industry girlfriends Janet Lee (producer extraordinaire) and Audra Boltion (a publicist at Harper Collins). While enjoying the music and our catch up, Ant inspired the ladies to join us for another round of karaoke at One 7 (http://karaoke17.com/). These girls came to play and we were happy to have them join us. We had lots of fun! And we have committed to do it again really soon!

Well, Wednesday came and it meant I had another round of my “American Idol” chat with Z100s popular midday personality Shelley Wade (http://zzone.z100.com/shelley/blog/2008/04/30/idol_diva_chat). I just knew Syesha Mercado would get the boot, though she was the strongest performer on that night (Neil Diamond). My thought was she hadn’t quite generated the strong fan base (as she’s been in the bottom three every week this season). And that finally, she would be bested by – to some estimates – subpar Brooke White or Jason Castro. Well, justice was served and – though I like her – Brooke went home (deservedly so). After I did my radio bit, I had to come home and make sense of many bills (as a long-overdue windfall had just come in from one of my clients). But that night, Merkato 55 (www.merkato55.com/) was the magical backdrop for a dinner that my friend Theo put together for Extra TV’s Tanika Ray (www.extratv.warnerbros.com/) and me. Tanika, who is my Spelman sister (She attended Spelman while I attended Morehouse) brought one of her dear friends from college Nikki into the mix. She too is a Spelmanite and we were both familiar with each other from that time. Merkato 55’s cuisine is overseen by master chef Marcus Samuelsson. Samuelsson was born in Ethiopia but grew up with his adoptive parents in Sweden. And now, having explored one side of his culinary heritage (Swedish at Aquavite – www.aquavit.org/), he has turned his expertise to this “African” fusion motif. It’s on Gansevoort Street, in the epicenter of the meatpacking district. As beautiful as the restaurant was and as good as the food was, the company was tops! It was great to spend time with Tanika who I see all the time on red carpets, at parties, and premieres… but to just sit and talk and connect deepened our special bond. We thank Theo for that as he is always so good about bringing good folks together. Too, it was great to get to know Nikki. And the hospitality of the Merkato 55 folks was wonderful. The night went so well (and since Tanika was not leaving until she could see Anthony, who she met in Vegas at the NABJ Convention - http://thelifeofriley.squarespace.com/rilys-blog/2007/8/13/audacity-of-hope-and-dreams-in-vegas.html). We chose Hotel Gansevoort (www.hotelgansevoort.com/) for the after set. And Ant joined us. It really was a wonderful night!

I told you my friend Frankie Edozien is now a journalism professor at NYU (www.edozien.net). He pulled us all together last night – back in the meatpacking district – for a celebration. He chose Los Dados (www.losdadosmexican.com/) – also on Gansevoort - for the celebration. CONGRATS FRANKIE!

You'll recall, I mentioned Demarco Majors from a previous entry: http://thelifeofriley.squarespace.com/rilys-blog/2007/12/16/extreme-makeover.html He's the one who used to work at The Gym, a gay sports bar in Chelsea (www.gymsportsbar.com/). He's a former ABA professional basketball player, who was reportedly kicked out of the ABA based on a rumor that he was gay. He didn’t deny it, according to interviews I’ve seen him do, because he is gay. He’s now out in the mix discussing the challenges of being an out gay ex-professional basketball player. Well, Ant and I ran into him last night and he says he is working on a reality show that chronicles his work with a gay basketball team. It'll be out this summer. I'll tell you what I know when it becomes available. CONGRATS! Keep doing your thing!

QUICK MENTIONS:

My friend Jakki recommended “The Five Love Languages” by Gary Chapman (www.fivelovelanguages.com/). Haven’t read it yet, but soon to buy. She offers it’s a great insight into how to speak to your partners in life and the ones you love. Ant and I do well, but every little bit helps. Thanks Jakki.

My friend Tracey Moore Marable is preparing to launch another “The Spirited Actor Monologue Class”. Her website www.thespiritedactor.com will give you all your information.

NABJ buddy and fellow journalist Craig Seymour has a racy book coming out. It’s “ALL I COULD BARE: My Life in the Strip Clubs of Gay D.C.” – a frank, funny, explicit, and surprisingly inspiring story about how a stint dancing naked in gay clubs helped a college professor discover his true self (www.craigspoplife.blogspot.com/).

Another NABJ friend Adrienne Samuels – senior writer for EBONY (www.ebonyjet.com/). Well, she recently appeared on TYRA

(www.tyrashow.warnerbros.com/) – talking all things light-skinned and dark-skinned.

My good girlfriend since childhood Tonja hipped me to this new artist Keyoshe (www.keyoshe.com and www.myspace.com/keyoshemusic) – it’s something new for R&B. Check her out! Thanks Tonja!

Dear friend Earline Franklin does a lot of work with COMCAST (www.comcast.com/) in Detroit. She will call on me from time to time to help her secure a contact here or participation for her clients on a program there, etc. I helped her secure Jurnee Smolett (from “Great Debaters”) for an event they were doing. And she was recently looking for one of the dance groups “Status Quo” on Randy Jackson’s MTV dance-off (www.mtv.com/ontv/dyn/dance_crew/series.jhtml). She and I also worked closely on an event that I co-produced for NABJ a few years back when she was managing now-ill Angela Bofill who performed for us (one of her last before the stroke). She too represents Miki Howard from time to time (they are old friends) and Miki – one of my favorite R&B divas – has a new website www.miki-howard.com Last I saw Miki, she was performing at Harlem Grill and invited me on stage to join her on “Until You Come Back To Me”. What a highlight!

Do you guys remember “THE JONES GIRLS”? Well, Shirley Jones was the lead singer of the R&B trio which featured Brenda and Valerie as the other two members. Also, as “The Jones Sisters”, these ladies sang background for Diana Ross in the ‘70s. Well, Shirley recently made her BLUES ALLEY debut in Washington , DC . The “girls” began singing Gospel as kids in DETROIT with their mom and later toured the world as background singers for DIANA ROSS. "MISS. ROSS" told her friends KENNY GAMBLE and LEON HUFF to sign them to PHILADELPHIA INTERNATIONAL RECORDS in 1978 & kicked off their careers as stars. Their hits include "YOU GONNA MAKE LOVE SOMEBODY ELSE," "NIGHTS OVER EGYPT " & "I JUST LOVE THE MAN" to name a few. In 1986, SHIRLEY had a solo NO. 1 BILLBOARD R&B HIT - "DO YOU GET ENOUGH LOVE?" SHIRLEY has been performing solo since the death of her sister VALERIE a few years ago and her sister BRENDA retired from performing.

You can check out what SHIRLEY's been up to at: www.myspace.com/shirleyjonesmusic

SHIRLEY recently completed a tour of Great Britain with JEAN CARNE and ALYSON WILLIAMS.

Below are YOU TUBE videos of their LONDON concert at JAZZ CAFE and SHIRLEY's 1986 "DO YOU GET ENOUGH LOVE" video:

http://www.youtube.com/watch?v=Sj7w11CIuJs

http://www.youtube.com/watch?v=BUApLkF264A

http://www.youtube.com/watch?v=rDv9p9f82TQ

http://www.youtube.com/watch?v=IyZO_v8cVSU

For more info about SHIRLEY JONES' BLUES ALLEY debut, go to www.bluesalley.com .

This, as I await seeing Shirley’s former boss DIANA ROSS twice on Sunday at Radio City Music Hall as she headlines a show that also features Chaka Khan, Patti Labelle & Gladys Knight (http://www.ticketmaster.com/artist/1217228). She just turned it out last weekend in Tobago and I'm so excited to  see her at Radio City - the first time since 1995's "Take Me Higher" tour. Stay tuned for the next blog which will be ROSS-filled and FABULOUS, I trust!